Late Photography

The subject of late photography is one that loomed fairly large in C&N and as such is something that I spent some time looking at then. I have gone back to that earlier work and again looked at Paul Seawright and Sarah Pickering, and read John Stathatos’s article. I find that having done so I do not really have much, if anything, to add for the time being. I think the important points are the ones to be made in response to Exercise 3.3. I do not propose therefore to write anything fresh here but simply refer back to a couple of my C&N posts, on which my views have not changed significantly in the interim.

Otherwise, I would mention that the link to the Library of Congress website appears to be bad and as no indication is given of what the content the subject of that link was supposed to be it is not really possible to find whatever the intended material is from within the website itself.

https://markrobinsonocablog2cn.wordpress.com/2018/01/18/project-4-public-order/

https://markrobinsonocablog2cn.wordpress.com/2018/01/18/project-4-the-gallery-wall-documentary-as-art/

https://markrobinsonocablog2cn.wordpress.com/2018/01/05/safety-in-numbness/

https://www.stathatos.net/sites/default/files/texts/61.hiding-open-paul-seawrights-afghanistan.stathatos.net.23047438.pdf

https://www.stathatos.net/texts/writings-photography-and-art/hiding-open-paul-seawrights-afghanistan

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