Now that this particular module is nearly at an end – I just have to speak to my tutor about Assignment 6 and then prepare for assessment – this is probably as good a time as any to post a bibliography of all the books and other materials that I have consulted and used while working on this unit, though it might need a bit of updating before I actually finish.
A couple of things strike me. One is how heavily “front-loaded” the course is, with much of the reading list coming in at the early stages. As the course has progressed there has been noticeably less by way of references to consult and follow up and material to read. Another point is that on the recommended reading list are relatively few books that I would regard as really essential. There is quite a lot of material that is only touched on lightly or tangentially that one could probably have got away with (if I can put it this way) not reading at all. Indeed, a couple of books strike me as not really worth the effort, and one a complete waste of paper and ink, not mention my time and money (I will refrain from naming the guilty parties!). That said, a couple of titles that I would not regard as being essential were in fact simply a pleasure to read in their own right.
Otherwise, as I have done with previous course units, much of what I have looked at has been at my own initiative, “reading around the subject”, a practice drummed (if not actually beaten) into me back in the days when I was at school and then an undergraduate, keeping my eyes open for anything that is interesting, and ideally relevant to the work I have been doing.
The other notable point is just how many other photography books I have looked and over the last year or so that have not made it into the bibliography. Notwithstanding that many of them have dealt, more or less straightforwardly, with issues of landscape and peoples’ relationships with their environment, not all have had any direct relevance to or impact upon the work that I have been doing. To that extent I have decided not to include them in the list that follows. Perhaps though I should make a separate list, even if only a partial one, of these other books to record the fact that I have looked at them. I do feel that even if not of direct significance to this academic work it is important to keep a broad and open outlook and, simply put, to look at as much other work as possible. This will inevitably inform the work that I do, even if only at an unconscious level and at some unforeseeable time in the future. Looking at the work of others is one of the best ways that I know of learning more about the art and craft of photography, that cannot otherwise successfully be transmitted and absorbed simply by sticking to a fairly narrow prescribed reading list. It is also simply fun (if expensive!) just to get out there and see what wonderful work is being published, not to mention to support contemporary artists and often small, independent, publishers.
Books
Adams, A, (1983). Examples: The Making of 40 Photographs. Boston: Little, Brown & Co
Adams, R, (1996). Beauty in Photography. New York: Aperture
Alexander, J.A.P, (2015). Perspectives on Place. London: Bloomsbury
Alighieri, D, (Milano, P, ed) (1977). The Portable Dante. London: Penguin
Andrews, M, (1999). Landscape and Western Art. Oxford: Oxford University Press
Axelsson,R, (2019). Faces of the North. Reykjavik: Qerndu
Baas, J, & Jacob, M.J. (ends) (2004). Buddha Mind in Contemporary Art. Berkeley: University of California Press
Barachini, V, (2019). Cuore Velato. Livorno: ORIGINI edizione
Barthes, R, (2000). Camera Lucida. London: Vintage
Barthes, R, (1977). Image Music Text. London: Fontana Press
Barthes, R, (1972). Mythologies. London: Jonathan Cape
Bate, D, (2009). Photography, The Key Concepts. Oxford: Berg
Bate, D, (2010). The Memory of Photography, Photographies, 3:2, 243-257
Bates, E S, (ed), (1937). The Bible: Designed to be read as living literature, the old and the new testaments in the King James version. New York: Simon and Schuster
Beech, D, (ed), (2009). Beauty. London: Whitechapel Gallery
Benjamin, W, (2008). The Work of Art in the Age of Mechanical Reproduction. London: Penguin
Berger, J, (2016). Landscapes: John Berger on Art. London: Verso
Berger, J, (1972). Ways of Seeing. London: Penguin
Brecht, B, (2017). War Primer. London: Verso
Bloomberg, A, & Chanarin. O, (2011). War Primer 2. London: MACK
Burke, E, (1998). A Philosophical Enquiry. Oxford: Oxford University Press
Calvino, I, (1974). Invisible Cities. London: Picador
Carroll, L, (ed. Gardner, M), (1966). The Annotated Alice. London: Penguin
Catt, S, (2019). Woodstock. Frome: The Lost Light Recordings
Chaucer, G, (Coghill, N, trans), (1979). The Canterbury Tales. London: Penguin
Childerley, Z, (2016) The Debatable Lands. High Green: VARC
Clarke, G, (1997). The Photograph. Oxford: Oxford University Press
Cotton, C, (2004). Rinko Kawauchi Utatane. Aperture No. 177
Coverley, M, (2018). Psychogeography. Harpenden: Oldcastle Books
Cramerotti, A, (2010). Uncapping the City: Perspectives of Flatness. Bristol: Intellect
Cremona, E, (2019). Postcards from the past. London: Guest Editions
Daniels, M, (2019). Elf Dalia. London: MACK
Davies, J, (2019). Retraced 81/19. London: GOST
Dickson, M, (2020). Oscar Marzaroli. Glasgow: Street Level Photoworks
Dyer, G, (2012). The Ongoing Moment. Edinburgh: Canongate
Dyer, G, (2013). Zona. Edinburgh: Canongate
Ehrlich, G, (2013). Facing the Wave: A Journey in the Wake of the Tsunami. New York: Pantheon
Epstein, M, (2011). American Power. Göttingen: Steidl
Eskilden, U, (ed). (2008) Street & Studio. London: Tate Publishing
Farley, P & Symmons Roberts, M, (2012). Edgelands. London: Vintage
Favrod, D, (2015). Hikari. Berlin: Kehrer Verlag Heidelberg
Fiedler, J, (2018). Moholy Album. Göttingen: Steidl
Frank, R (2016). The Americans. Göttingen: Steidl
Franklin, S, (2016). The Documentary Impulse. London: Phaidon
Freeman, J, (ed), (2009). Granta Issue 107. London: Granta Publications
Gamwell, L, (2002). Exploring the Invisible: Art, Science, and the Spiritual. Princeton: Princeton University Press
Genitempo, M. (2018). Jasper. Santa Fe: Twin Palms Publishers
George, A, (trans.), (1999). The Epic of Gilgamesh. London: Allan Lane
Gilbert-Rolfe, J, (1999). Beauty and the Contemporary Sublime. New York: Allworth Press
Gilpin, W, (1789). Observations on the River Wye, and Several Parts of South Wales. London: Blamire (Gale ECCO facsimile reprint)
Godfrey, M, & Serota, N, (2011). Gerhard Richter: Panorama. London: Tate
Goldsworthy, A, (1994). Stone. London: Viking
Goodwin, A, (1999). Writing an Artist’s Statement. Ceramics Monthly, May 1999, Vol. 45, Issue 5.
Guidi, G, (2019). In Sardegna: 1974, 2011. London: MACK
Guidi, G, (2019). In Veneto, 1984-89. London: MACK
Guidi, G, (2020). Lunario. London: MACK
Guidi, G, (2018). Per Strada. London: MACK
Hedgecoe, J, (1976). The Book of Photography. London: Ebury Press
Heinisch, D, (2020). 45. London: MACK
Hirsch, M. (2012) Family Frames: Photography, Narrative and Postmemory. Cambridge: Harvard University Press
Homer (Pope, A, trans) (1942). The Odyssey. New York: Heritage Press
Hughes, R, (1997). American Visions. London: The Harvill Press
Ingledew, J, (2005). Photography. London: Lawrence King Publishing
Jamie, K, (2019). Surfacing. London: Sort of Books
Kawauchi, R, (2016). The river embraced me. Tokyo: torch press
Kikuta, M, & Kodera, N, (2008). European Eyes on Japan – Japan Today vol. 10. Tokyo: EU-Japan Fest Japan Committee
Kimura, H, (2019). Snowflakes Dog Man. Italy: ceiba editions
Klein, W, (2016). Life is Good & Good for You in New York. New York: Errata Editions
Lichtenstein, R, & Sinclair, I, (1999). Rodinksy’s Room. London: Granta
Lincoln, A, Cooper, J, & Laurens Loovers, J P, (2020). Arctic: Culture and Climate. London: British Museum / Thames & Hudson
Lixenberg, D, (2008). The Last Days of Shishmaref. Edam/Rotterdam: Paradox/episode
Lloyd Parry, R, (2017). Ghosts of the Tsunami. London: Jonathan Cape
Long, R, (2007). Walking and Marking. Edinburgh: National Galleries of Scotland
Luskačová, M, (2019). By the Sea. Bristol: RRB Photobooks
Lyles, A, & Hamlin, R, (1997). British Watercolours from the Oppé Collection. London: Tate Gallery Publishing
Macfarlane, R, (2003). Mountains of the Mind. London: Granta
Macfarlane, R, (2019). Underland. London: Hamish Hamilton
Mahler, U, & Mahler, W, (2018). Kleinstadt. Stuttgart: Hartmann Books
Manaugh, G, (2009). The BLDG/BLOG Book. San Francisco: Chronicle Books
Marshall, J, (2020). Halls & Oats. Lyme Regis: West Country Modern
McCarthy, C, (2007). The Road. London: Picador
Meyerowitz, J, (2018). Where I find myself. London: Lawrence King Publishing.
Mitchell, W.J.T, (ed) (2002). Landscape and Power. Chicago: The University of Chicago Press
Mod, C & Rubin, D, (2016). Koya Bound: Eight days on the Kumano Kodo. Tokyo: self published
Moholy-Nagy, L, (1925). Malerei, Photographie, Film. Munich: Albert Langen
Molitor, C, (2015). Sonorama. Listening to the view from the train. Axminster: Uniformbooks
Moriyama, D, (2017). Daido Moriyama: Record. London: Thames & Hudson
Moriyama, D, (2016). Daido Tokyo. Paris: FondationCartier pour l’art contemporain
Morley, S, (ed), (2010). The Sublime. London: Whitechapel Gallery
Murakoshi, T, (2018). An Eventual Saturation. Tokyo: Case Publishing
Murtha, T, (2018). Elswick Kids. Liverpool: Bluecoat Press
Murtha, T, (2017). Youth Unemployment. Liverpool: Bluecoat Press
Myrone, M, & Concannon, A, (2019). William Blake. London: Tate Publishing
Nakahira, T, Okada, T, Takahashi, Y, Taki, K, (1968). Provoke No. 1. Tokyo: Nitesha
Nash, D, (2007). David Nash. London: Thames & Hudson
Obara, K, (2018). Exposure / Everlasting. Cordoba: Editorial RM / RM Verlag
O’Doherty, B, (1999) Inside the white cube: the ideology of the gallery space. Berkeley: University of California Press
Ogawa, Y, (2014). Shimagatari. Tokyo: Sokyu-Sha
Ohashi, E, (2017). Being There. Tokyo: Case Publishing
Ohashi, E, (2017). Roadside Lights. Tokyo: Zen Foto Gallery
Oliver, N, (2018). The Story of the British Isles in 100 Places. London: Penguin
Onaka, K, (2019). Faraway Boat. Tokyo: Kaido Books
Onaka, K, (2013). twin boat. New York: Session Press
Paris, L, Fleming-Williams, I, & Shields, C, (1976). Constable Paintings, Watercolours & Drawings. London: Tate Gallery Publishing
Parr, M, (2013). The Non-Conformists. New York: Aperture
Pavord, A, (2016). Landskipping – Painters, Ploughmen, and Places. London: Bloomsbury
Perez, N.N, (2013). Displaced visions. Jerusalem: The Israel Museum
Price, U, (1796). An Essay on the Picturesque. London: Robson
Prodger, P (ed) (2016). William Eggleston Portraits. London:National Portrait Gallery
Rajnai, M, et al., (1982). John Sell Cotman. London: Arts Council of Great Britain
Richardson, A, & Skelton, R, (2013). Relics. Newcastleton: Corbel Stone Press
Risch, C, (2017). Conquering the dreaded artist statement: expert advice for writing about your photography. Photo District News, Vol. 37, Issue 8.
Sandweiss, M, (2002). Print the Legend: Photography and the American West. New Haven: Yale University Press
Self, W, (2007). Psychogeography. London: Bloomsbury
Schama, S, (1996). Landscape & Memory. London: Fontana Press
Schmidt, M, (2019). Berlin-Wedding. London: Koenig Books
Scott, F, (2020). Undertow. Jamestown: another | place
Shanes, E, (1979). Turner’s Picturesque Views in England and Wales 1825-1838. London: Chatto & Windus
Shibata, T, (2020). Gas Stations. Manchester: Nazraeli Press
Shore. R, (2014). Post-Photography: The Artist with a Camera. London: Lawrence King
Shore, S, (2014). Uncommon Places. London: Thames & Hudson
Sinclair, I, (2015). Black Apples of Gower. Taller Fratrum: Little Toller Books
Solnit, R, 2002). Wanderlust: A History of Walking. London: Verso
Solnit R, (2006). A Field Guide to Getting Lost. Edinburgh: Cannongate
Sontag, S, (1979). On Photography. London: Penguin
Sontag, S, (2004). Regarding the Pain of Others. London: Penguin
Soth, A, (2017). Sleeping by the Mississippi. London: MACK
Stenger, S, (2015). Sound Strata of Coastal Northumberland. Newcastle: AV Festival
Sugimoto, H, (2019). Seascapes. Bologna: Damiani Editore
Tomlinson, A, (2019). Ex-Voto. London: GOST Books
Vasilyeva, E, (2019). Road to Petergof. St. Petersburg: Self-published
Warner Marien, M, (2014) (4th ed.). Photography: A Cultural History. London: Laurence King Publishing
Wells. L, (2011) Land Matters: Landscape Photography, Culture and Identity. London: IB Tauris
Winship, V, (2018). And Time Folds. London: MACK
Wilton, A, & Lyles, A, (1993). The Great Age of British Watercolours 1750-1880. London: Royal Academy of Arts & Munich: Prestel Verlag
Wolf, S, (ed), (2019). PhotoWork: Forty Photographers on Process and Practice. New York: Aperture
Wylie, D, (2004). The Maze. London: Granta
Websites
http://www.amber-online.com/event/side-gallery/family-food-and-community-the-pennywell-project/
https://www.amber-online.com/event/side-gallery/ivor-prickett-end-of-the-caliphate-seeking-shelter/
https://www.amber-online.com/event/side-gallery/rena-effendi-waiting-for-winter/
https://www.amber-online.com/event/side-gallery/tessa-bunney-otherwise-unseen/
https://anotherplacepress.bigcartel.com
https://antonkusters.com/theblueskiesproject
https://baltic.art/whats-on/judy-chicago
https://sergeyakhunov.bandcamp.com/album/the-seasons
Walking the land
The Maze
https://www.britishmuseum.org/exhibitions/arctic-culture-and-climate
http://www.chloedewemathews.com/shot-at-dawn/
http://www.claudiamolitor.org/sonorama-1/
https://www.corbelstonepress.com
http://donovanwyliestudio.com/index.php?page=about
Home
https://edruscha.com/featured-works/
https://www.edwardburtynsky.com
http://www.elinabrotherus.com/photography/
https://www.firstbookaward.com
http://foto8.com/new/online/photo-stories
http://www.garryfabianmiller.com/work/view/sections_of_england__the_sea_horizon_3
https://grimmgallery.com/artists/dana-lixenberg/
Grounded – 2000
Home
https://johndarwell.com/index.php?r=image/default/category&alias=dark-days
Click to access 1913_issue2.pdf
https://www.journeygong.com/#/viewpoint/
https://www.laurencesternetrust.org.uk/shop-item.php?id=155
https://www.locomotion.org.uk/whats-on/one-billion-journeys
http://www.mariocarnicelli.com/gallery/58741/usa-1967
http://www.markbrennan.co/index
http://www.markneville.com/#/fancy-pictures
https://www.markpower.co.uk/projects/26-DIFFERENT-ENDINGS
https://www.michaelhoppengallery.com/artists/123-john-davies/overview/#/artworks/11117
https://www.paulgrahamarchive.com
https://www.sadiecatt.com/woodstock
The Writing on the Wall
http://www.sugimotohiroshi.com
THE LEARNED PIG
Almost Sunrise
https://walkkumano.com/koyabound/
http://www.zoechilderley.co.uk/the-debatable-lands-book/4593164515
Specific Internet Articles
https://www.academia.edu/11911020/Context_as_a_determinant_of_photographic_meaning
https://www.academia.edu/37955088/Photographic_Ecosystems_and_Archives
http://www.bbc.co.uk/programmes/p00947zh
https://www.bbc.co.uk/sounds/play/p004y23j
https://www.birminghammuseums.org.uk/bmag/whats-on/thoughts-on-portraiture
http://www.bjp-online.com/2018/02/ivor-prickett-world-press-photo-of-the-year-double-nominee/
https://books.google.co.uk/books?id=Nbo8AAAAYAAJ&pg=PA1&source=gbs_toc_r&cad=3#v=onepage&q&f=false
Almost the Same Thing: Some Thoughts on the Photographer as Collector
Click to access Bright-Marlboro.pdf
https://www.huffpost.com/entry/interview-with-hiroshi-su_b_8924692
https://intrepidcamera.co.uk/blog/learning-the-zone-system
https://kottke.org/20/11/was-this-famous-war-photo-staged
https://loeildelaphotographie.com/en/journey-gong-df/?ct=t%28Newsletter+EN+10102020%29
https://www.oca.ac.uk/weareoca/fine-art/photography-meets-textiles/
https://www.oca.ac.uk/weareoca/fine-art/whos-afraid-of-appropriation/
http://oca-student.com/node/66693
https://www.panos.co.uk/portfolio/ivor-prickett/
https://www.peterfreemaninc.com/exhibitions/jan-dibbets2?view=slider#6
http://www.seesawmagazine.com/soth_pages/soth_interview.html
Click to access 61.hiding-open-paul-seawrights-afghanistan.stathatos.net.23047438.pdf
https://www.stathatos.net/texts/writings-photography-and-art/hiding-open-paul-seawrights-afghanistan
https://www.tandfonline.com/doi/full/10.1080/17540763.2010.499609#.U_3kzcVdXTp
https://www.tate.org.uk/art/artists/lewis-baltz-5373/lewis-baltz-industrial-suburban-landscape
https://www.tate.org.uk/art/artists/william-klein-11498/william-klein-pictures
https://www.tate.org.uk/art/research-publications/the-sublime
http://www.tate.org.uk/context-comment/audio/conversation-pieces-ingrid-pollard-on-landscape
https://www.tate.org.uk/tate-etc/issue-20-autumn-2010/staring-contemporary-abyss
https://www.theguardian.com/artanddesign/2009/may/10/art-richard-long
https://www.theguardian.com/artanddesign/2011/aug/09/luc-delahaye-war-photography-art
https://www.theguardian.com/artanddesign/2012/jul/14/google-street-view-new-photography
https://www.theguardian.com/artanddesign/2012/oct/09/luc-delahaye-wins-2012-prix-pictet-award
https://www.theguardian.com/artanddesign/2019/sep/29/the-big-picture-nick-waplington-hackney-riviera
https://www.theguardian.com/artanddesign/2020/feb/24/teju-cole-photobooks-fernweh
https://www.theguardian.com/artanddesign/2020/oct/16/chris-killip-obituary
https://www.theguardian.com/artanddesign/gallery/2020/mar/31/photography-daido-moriyama-in-pictures
https://www.theguardian.com/culture/2001/feb/06/artsfeatures
https:we-english.co.uk/blog/2009/01/16/contested-countryside/
https://en.wikipedia.org/wiki/Lang_Jingshan
https://en.wikipedia.org/wiki/Marius_de_Zayas
Periodicals
British Journal of Photography, Issue 7883, May 2019
British Journal of Photography, Issue 7887, September 2019
British Journal of Photography, Issue 7889, November 2019
Hotshoe Issue 204 2019 Vol.II NYC Street ’57-86
Printmaking Today. Summer 2020. Vol.29, Issue 114
Others
Collins, M, (2016). Almost Sunrise.
Tarkovsky, A, (1979). Stalker.
Mark Robinson's OCA Landscape, Place & Environment Blog 