Category: Assignment 6

Exercise 1.5: Visualising Assignment Six Transitions – A Random Thought

As I continue to take my weekly shots at the ford for this project I am becoming increasingly aware of, and attuned to, the subtle changes in the scene as time passes There are the occasional substantial changes, such as when the water level increases dramatically after prolonged rain, or as was the case this last weekend when the temperature plummeted, down to around minus 7º C first thing and not rising above freezing all day leaving everywhere iced up. Otherwise the major changes are only going to be visible over a much longer period.

This strikes me as being relevant to project in part 2, typologies and new topographies that I am just starting to explore and think about. As I am going to write elsewhere it is not the single image that is important but the greater mass and the juxtapositions that mass can create.

The true random thought here though for now is a musical analogy. I have been listening recently to a new set of recordings of piano music by Morton Feldman and what I see is a commonality of approach: Feldman’s work often evolves slowly, positively glacially (for example the second string quartet lasts for more than three hours and sometimes it is difficult to properly register the changes and development of the music from moment to moment – I have never yet managed to listen to the whole work in one sitting!) and it is only by taking a long view that it makes proper sense. That sort of process is at work here in this project and I expect that it will only be once it is complete that it will make proper sense.

Exercise 1.5: Visualising Assignment Six Transitions – Update

A brief update on how this project is progressing.

Firstly, I have decided to abandon my plan B as it is increasingly clear that there is insufficient prospect of enough change over a prolonged period of time to make the scrapyard a viable subject. Similarly I think that the microcosmic approach of plan C is similarly too limited. I am though going to persevere with the views of the local ford.

I will deal separately with my tutor’s feedback on Assignment 1 but will mention now a couple of points that he has raised in connection with this project.

One is that I should consider shooting in different weather conditions rather than just relying on seasonal changes. In fact I am already doing this. The very first shots that I took were made during a rain storm and I had to shelter the camera under an umbrella, as it is not weathertight. The fact that it was raining quite hard is though not readily apparent from the pictures that I have already posted as the exposure times were quite long because the light was so poor so the rain is hard to see. The same happened with my last foray, this past weekend:

24/11/2019

The exposure here was about 1.7s (hence the blurred figures, to whom I shall return below) which has smoothed out the water again.

24/11/2019

I reduced the aperture here to f/8 to increase shutter speed though it did not make a significant difference and it is still hard to see that it was raining.

24/11/2019

The weather has been pretty monolithically and monotonously bad of late so there has simply been little variation in conditions. Nevertheless there have been a couple of times when there has been a bit of sun:

10/11/219
18/11/2019

This view of the ford looks west so by early afternoon the sun is already quite low and it is almost a case of shooting contre jour, creating some interesting lens flare for variety.

The other question is whether I intend to include any people or vehicles. This is not really a matter of active choice and simply depends on if anyone is around when I am there shooting. This is not a busy stretch of road at the best of times, even less so during the current wet weather. By chance when I took the first two pictures above a family, who are actually near neighbours and whom I see fairly regularly when out with my dog, were braving the weather with their black lab and just happened to fall within shot. As indicated above, because of the slow shutter speeds they have appeared blurred. I do though think this introduces a new sense of dynamism in the scene.

Cars are another matter. This road does not attract a lot of traffic. I have to be careful of what little does come through because at this point the road is little more than one car wide and to avoid becoming a hazard I need to step aside with the camera on its tripod. The poor weather has also limited the number of vehicles coming through. Although it does not look too bad, the depth of water on the upstream side of the ford this last weekend was two feet. The flow rate was also very fast. That is more than enough to cause a problem for, and consequently deter, the average car. Indeed, while setting up for the first shot a car was coming from the west but beat a hasty retreat when the driver saw how much water there was. I am just going to have to play this by ear and see what happens whenever I am there.

As an aside, these recent conditions have been by no means particularly bad for this ford. During winter it is not uncommon for the depth to exceed three feet, as for example it did last March after a heavy snowfall melted, enough to put my vantage point at risk. There have been occasions when it has been even deeper!

I will for now simply continue to turn up regularly once a week and see what ever there is to be seen.

Exercise 1.5: Plan C

I have been struggling to come up with a microcosm view as another possibility for this exercise but have for now settled on a small area in my garden that I know will change over the coming year. Let us see how this progresses.

14 October 2019

20/10/2019
27/10/2019

Here is the latest instalment. I have to confess I am not quite sure where this is going and I very much doubt that this will turn out to be the final choice of subject. I am not helped by this particular shot being a bit clumsy in that one of the tripod legs makes an unwelcome appearance in the bottom right corner! I will persevere for a while longer though but only update this post if and when there is a change worthy of report.

03/11/2019

Exercise 1.5: Plan B

Here is a first go at a potential plan B, the local scrap yard. Normally I see this place on a Saturday morning when there is no-one about but as this was taken on a weekday the old fellow who evidently runs the place, rummaging there on the left was there. As a precaution, and matter of courtesy I asked if he minded if I took some pictures. Clearly from the somewhat bemused look on his face – I did not explain my intention as he did not show any inclination to engage in conversation – he must have wondered why on earth I wanted to do so, but nevertheless acquiesced.

I tried a couple of different angles but this was the only one that really worked and kept me close enough to the scene without having to stand in the middle of the road – there is enough traffic to present a hazard.

I suspect that further shots will be taken at weekends so the gate will be closed and no-one there. That might make the process a bit more comfortable. Anyway I will try it over the next few weeks and see how it starts to shape up.

I still have to settle on a possible “microcosm” site so will return to that later.

Continuing:

19/10/2019
26/10/2010

An overcast day after a couple of days of fairly heavy rain so the light was quite poor. To maintain a reasonable shutter speed of 1/60s and an aperture of f/11 to try to keep some depth of field, I found I needed to raise the ISO to 800. I am also finding hard to shoot from exactly the same vantage point each time because there are some cars that park on this little patch of ground opposite the gates and I keep having to shift position from week to week to work round them.

Last one for now. For the future I think what I will do is simply collect each weekly photo in a separate file and then sort and edit them once the time to finalise the assignment arrives, unless something noteworthy happens in the meantime. I feel it is a bit much at the moment to be updating this post every week. Rather I think I will do a sweep up post later, bringing the project up to date, even if only to confirm that this is not the subject that is going into the final submission.

02/11/2019

Since my last post on this I have at last decided that this is not a project that I am going to pursue further. Over the last few weeks I have continued to photograph the same scene and it is barely changing at all. Variations in the weather (not that it has changed much recently having been fairly monolithically overcast and wet) are I feel not enough to sustain interest.

16/11/2019

I think part of the problem is that I can really only shoot here on a Saturday but that is when no-one is working in the yard and nothing is happening. As a result all that there is to be seen from one week to the next is a puddle and a parked car! I cannot realistically expect that there is going to be sufficient seasonal variation to make much difference. I will therefore from now on be concentrating just on Plan A.

Exercise 1.5: Visualising Assignment Six Transitions – 2

I have at last made a start shooting for this exercise. For now I have shot only the ford and will follow up with the fall back plans (on which I have had some more thought) later. I made a start now, despite the fact that the weather was quite bad today, to take advantage of the significant flow of water through the ford as a result of very heavy rain overnight. Despite the volume of rain over the last couple of weeks the water level had fallen back to just a couple of inches by yesterday. Today, on the upstream side, the water was almost two feet deep.

Having tried a few different angles I have settled on two, one looking upstream, one down. I will choose between them for the final set (assuming one of the backup plans does not take precedence) once a more substantial body of work has accumulated.

At the time these were taken it was raining (I had to shelter the camera under an umbrella as it is not weathertight!) so the light was quite poor. Exposures were as a result quite long (1.5s for the first, at f/16, ISO 400) which has made the water quite glassy and smooth. Obviously I used a tripod, which I set fairly low to keep some of the road in view in the foreground.

Fortunately, because of the depth of water I did not have to worry about cars coming through. One did approach from the downstream side but wisely turned around and went back!

Just how often I repeat these shots I have yet to decide but I expect it will probably be weekly. I can though be flexible and judge when it is worth revisiting on a daily basis as I walk the dog this way most days and so can see if there have been any noticeable changes before deciding when to come back with a camera.

14 October 2019

20/10/2019
20/10/2019

Interesting that these last two pairs of photos suggest that the default depth of water in the ford with regular but not too concentratedly heavy rain is about three inches, not something that I have noticed before.

27/10/2019
27/10/2019

The latest instalment. As with Plan B I think now is the time to stop the regular updating of this post and simply continue to gather shots that can be properly edited later. I will though add more if, for example, we have another flood or other dramatic changes to the scene over the coming months, which is quite likely given the amount of rain we are getting at the moment.

03/11/2019
03/11/2019

Exercise 1.5: Visualising Assignment Six: Transitions

Compared with previous modules I have got off to rather a slow start with this one, partly because its start overlapped with finishing off I&P and getting everything ready for assessment next month, partly because of some personal issues that have kept me away from working on this. I do though now feel that I am getting back into a groove, a routine, and getting more work done. What I really need to do though is get back out with an camera and make pictures again! This exercise gives me an opportunity to get going once more.

The idea of taking a series of images of the same scene over a prolonged period of time is something that I have thought about before and is something that I have already written about. Going right back to EYV and the Square Mile assignment this is an idea that I looked at then: (https://wordpress.com/post/markrobinsonocablog.wordpress.com/119). So it is good to come back to it again now. There is an obvious difference in time scale between anything that I can achieve over the next year or so and what Tom Phillips did over twenty years but nevertheless I feel this is still potentially fertile ground.

One project I would really like to pursue would be to take photos, possibly even on a daily basis at least at some times of the year, of a particular seascape, showing just sea, horizon and sky. This is partly inspired by the seascapes of Hiroshi Sugimoto (2019) that I have referred to before – though his work shows seascapes from around the world, rather than focusing on one single place. Coincidentally I have also just discovered some of the early, camera-based work of Garry Fabian Miller in the latest issue of the British Journal of Photography, particularly (at pages 52 and 53) from his Sections of England: The Sea Horizon series, of which this is an example (Number 18 Series 2 1976):

These works differ significantly from Sugimoto’s in that they are in colour whereas in his seascapes, so far as I can tell, Sugimoto worked exclusively in monochrome. They are also more overtly dramatic in so far as some feature a distinct horizon, and a focus on prevailing weather, reminiscent of the cloud sketches by Cozens and Constable, and Turner’s storm scenes. I do not know though whether he shot in a number of different locations or whether each image is of the same stretch of sea, although under differing conditions. For the purposes of a project such as this I think that Fabian Miller’s approach would be more productive.

Unfortunately however such a project is not really practical, even without bearing in mind the guidance in the brief for this exercise to concentrate on somewhere nearby. Although I am not that far from the coast, it is nevertheless the better part of a sixty mile round trip – at least – to the nearest possible location that I have in mind. It is simply not practical for me to be covering that sort of distance on a regular, let alone frequent basis. That is a shame because this is something that I would really like to try more seriously; maybe it will just have to become a personal project to be pursued over a much longer period.

My primary choice of practical subject is therefore a ford about ten minutes from home, and past which I have walked with my dog nearly every single day over the last three and a half years, where the scene is constantly changing, and which I have observed closely. I therefore already know what it is likely to look like at any given time of the year. There are obvious seasonal changes but it is also somewhere that can be subject to shorter term, sometimes quite dramatic, changes depending on weather and light conditions.

I have also been giving some thought to a plan B. I have not yet settled on a firm idea yet, and is suspect this will not crystallise until I have got down to proper work with plan A, but I have a couple of thoughts. One, proceeding from a comment in the exercise on preconceptions is that a landscape does not have to be a macro environment but can also be a micro one. With this in mind one possibility I have been thinking about is to photograph a spot (probably in one of the local woods) no more than, say, a metre across, to explore and reflect the changes that take place on a much smaller basis. Another is to focus on a location that is more man-made and is subject to more “managed” change. One possibility that I have in mind for this is a scrap-yard on a small industrial estate in Hexham, which is a site that I could realistically visit as much as weekly. Again this needs further thought but for now I think what I need to do is just get on and shoot at each location and see how they develop. I imagine there will still be time to change tack later if necessary, as long as I do not leave it too long.

Phillips, T (1992) Works and Texts.  London: Royal Academy of Arts

Sugimoto, H, (2019).  Seascapes.  Bologna:  Damiani Editore

Auerbach, J (2016). 20 Sites n Years: A film by Jake Auerbach

http://www.garryfabianmiller.com/work/view/sections_of_england__the_sea_horizon_3

British Journal of Photography, Issue 7889, November 2019